WEBVTT 1 00:00:08.280 --> 00:00:16.230 Matthew J Countryman: Well, so well, I guess, we get started as people are arriving, so this is really our last meeting I think for the Semester, we certainly won't have one next Friday. 2 00:00:18.449 --> 00:00:20.220 Matthew J Countryman: And what i'll do. 3 00:00:22.530 --> 00:00:33.690 Matthew J Countryman: Is send out a schedule i'm assuming this time works still for spring term, and that will do is every other week. 4 00:00:36.150 --> 00:00:36.900 Matthew J Countryman: So. 5 00:00:38.100 --> 00:00:43.110 Matthew J Countryman: So I guess that means we start on the Seventh, which makes sense, so we that we will also avoid Memorial Day weekend so. 6 00:00:44.790 --> 00:00:46.170 Matthew J Countryman: i'll get face to send out a. 7 00:00:47.490 --> 00:00:50.940 Matthew J Countryman: In the invite for every two weeks starting may seventh for the meeting. 8 00:00:53.280 --> 00:00:55.080 Matthew J Countryman: And just. 9 00:00:57.210 --> 00:00:58.860 Matthew J Countryman: Let me just start with the Thank you. 10 00:01:01.320 --> 00:01:05.640 Matthew J Countryman: i'm not sure what we all thought when we started doing these zoom meetings 13 months ago. 11 00:01:09.450 --> 00:01:12.120 Matthew J Countryman: But it's been a great way. 12 00:01:13.680 --> 00:01:26.190 Matthew J Countryman: To get this project moving and we obviously huge achievements over the past year, and so I just oh you all a deep credit debt of debt of gratitude not aggressive attitude, but a debt of gratitude. 13 00:01:27.990 --> 00:01:31.560 Matthew J Countryman: For your hard work, for your patience with me, for your diligence. 14 00:01:33.630 --> 00:01:35.670 Matthew J Countryman: And i'm really i'm really. 15 00:01:37.020 --> 00:01:37.410 Matthew J Countryman: Just. 16 00:01:38.460 --> 00:01:48.210 Matthew J Countryman: so proud of what we've all we've what we've accomplished together and and it's you know your your hard work has been key to that, so I just wanted to say, thanks as we get started. 17 00:01:50.160 --> 00:01:58.770 Matthew J Countryman: And I did want to also let you know, speaking of the Bennett collection about my new new exciting little. 18 00:02:01.140 --> 00:02:19.200 Matthew J Countryman: I don't know what to call it thing this document, I have this is a book that I found on Amazon for $3 I didn't find it actually comfort in Tulsa found it for me and I discovered, it was one copy left, so I immediately bought it for $3 Amazon good for something. 19 00:02:20.850 --> 00:02:21.990 Matthew J Countryman: This is. 20 00:02:23.130 --> 00:02:23.790 Matthew J Countryman: A. 21 00:02:25.470 --> 00:02:29.550 Matthew J Countryman: piece of creative nonfiction written by. 22 00:02:31.590 --> 00:02:37.890 Matthew J Countryman: A nurse, who was a medical missionary to Mozambique in the late 1960s. 23 00:02:39.330 --> 00:02:42.510 Matthew J Countryman: Who when she then wrote a dissertation about. 24 00:02:44.040 --> 00:03:00.240 Matthew J Countryman: Medical missionaries was gifted by a cousin a diary you're gonna blow your way best a diary written by the same people who collected all this stuff in our archives, the benefits. 25 00:03:00.300 --> 00:03:00.720 No. 26 00:03:03.390 --> 00:03:07.920 Matthew J Countryman: And somehow comfort made the connection online and so now I have. 27 00:03:09.030 --> 00:03:13.860 Matthew J Countryman: Have the book and what we learned, we had to buy the book to find out that the diaries are still in her possession. 28 00:03:15.360 --> 00:03:21.600 Matthew J Countryman: And so i'm going to look through the book Simon and share it with comfort, but i'm. 29 00:03:22.680 --> 00:03:24.450 Matthew J Countryman: might actually get some more information. 30 00:03:25.500 --> 00:03:29.040 Elizabeth James: Some amazing what is it shall. 31 00:03:31.560 --> 00:03:33.480 Helen Garbarino: We found the documentation for it. 32 00:03:33.660 --> 00:03:45.030 Matthew J Countryman: yeah so we'll see I mean I it's hard to negotiate this how much this is is she clearly says this is, these are this book is based on the diaries so it's like a fiction. 33 00:03:46.410 --> 00:03:52.260 Matthew J Countryman: fictional memoir like narrative based on diaries how much she's fictional we won't know. 34 00:03:52.500 --> 00:03:58.110 Matthew J Countryman: Unless you'd want to share with us, but I think we should read it first and then figure out how to make contact with it, but. 35 00:04:01.230 --> 00:04:02.160 Elizabeth James: wow. 36 00:04:03.030 --> 00:04:06.930 Elizabeth James: I just whoa this week okay that just did. 37 00:04:08.730 --> 00:04:09.180 wow. 38 00:04:10.740 --> 00:04:11.190 Wayne High: awesome. 39 00:04:12.300 --> 00:04:14.160 Elizabeth James: I know the chances of that. 40 00:04:17.010 --> 00:04:25.020 Matthew J Countryman: I mean I you know it's still reasonable questions about what we want to do if we want to do anything with it, but at least we we can make a decision based on information I guess work so. 41 00:04:26.250 --> 00:04:26.430 yeah. 42 00:04:29.130 --> 00:04:36.390 Elizabeth James: wow and I wonder why the couple wouldn't have wanted to give it back to this lady. 43 00:04:37.740 --> 00:04:45.000 Matthew J Countryman: Well it's not clear, I mean yeah that's interesting question, I mean it may be that the diaries was in the possession of somebody else, not to people. 44 00:04:48.330 --> 00:04:50.430 Matthew J Countryman: it's also not clear, well. 45 00:04:52.020 --> 00:04:54.690 Matthew J Countryman: my hunch is, although I couldn't I could be wrong that that. 46 00:04:55.800 --> 00:05:02.070 Matthew J Countryman: She got a hold of the diaries long after we receive the rest of the class departure collection week on. 47 00:05:02.580 --> 00:05:05.820 Matthew J Countryman: Okay, the book was published in 2007. 48 00:05:07.980 --> 00:05:16.320 Matthew J Countryman: doesn't say when she did her so she got a doctorate from Georgia state, but it doesn't say one, so I mean it obviously pieces of the story to figure out still but. 49 00:05:17.910 --> 00:05:19.080 Elizabeth James: My goodness. 50 00:05:23.940 --> 00:05:24.510 Elizabeth James: Okay. 51 00:05:24.540 --> 00:05:27.570 Wayne High: we're to it because we could potentially learn a lot from that. 52 00:05:31.620 --> 00:05:36.000 Matthew J Countryman: yeah we could learn, I mean, and I think comfort in particular he's really interested in these issues about. 53 00:05:37.710 --> 00:05:39.360 Matthew J Countryman: The role of missionaries and. 54 00:05:39.780 --> 00:05:51.570 Matthew J Countryman: He collections and display and all those issues, I think you know, this could be really useful for her whether it's something that we will ever want to highlight I don't know, but at least we can answer the questions. 55 00:05:54.690 --> 00:05:55.140 Elizabeth James: So. 56 00:05:55.170 --> 00:05:55.620 Matthew J Countryman: there's many. 57 00:05:55.680 --> 00:05:56.640 Tara Mondesi Weinberg: Other diaries. 58 00:05:57.690 --> 00:06:05.880 Tara Mondesi Weinberg: My internet's been glittering so I missed your summary explanation Matthew so other diaries on which this was based on a in the desk connection, all we. 59 00:06:05.880 --> 00:06:09.240 Matthew J Countryman: know where they know they're in the possession of the author of this book. 60 00:06:10.260 --> 00:06:21.150 Matthew J Countryman: seems to be a family member a cousin somehow related also to the benefits of the she's from her description he employs she didn't know anything about them until she got. 61 00:06:26.670 --> 00:06:36.960 Matthew J Countryman: Her again i've only read the intro her primary message seems to be that the missionary societies don't treat the missionaries as humanely as they should. 62 00:06:42.270 --> 00:06:43.650 Matthew J Countryman: You know, interesting. 63 00:06:45.180 --> 00:06:46.200 Matthew J Countryman: approach to the. 64 00:06:50.910 --> 00:06:52.980 Stephen M Ward: New take on what's wrong with the missionary society. 65 00:06:59.340 --> 00:07:02.250 Elizabeth James: Oh, I just I can't even believe this. 66 00:07:06.480 --> 00:07:09.150 Matthew J Countryman: Well, see I don't often get to shock you. 67 00:07:09.180 --> 00:07:10.380 Matthew J Countryman: Best so that's this is this is. 68 00:07:15.150 --> 00:07:15.840 Elizabeth James: it's just left. 69 00:07:16.620 --> 00:07:19.830 Matthew J Countryman: beth without words you saw it here first folks. 70 00:07:29.250 --> 00:07:33.060 Matthew J Countryman: Anyway, so as I read it, and as I get comfortable get it will have more to report but. 71 00:07:33.600 --> 00:07:34.290 I thought that was. 72 00:07:37.890 --> 00:07:41.610 Matthew J Countryman: So Stephen do you want to say anything about your event last night, which was really extraordinary. 73 00:07:44.310 --> 00:07:49.890 Stephen M Ward: um yeah I have some I let in the House, I might have to move in a second oh. 74 00:07:51.480 --> 00:07:52.980 Stephen M Ward: So i'll say that. 75 00:07:54.330 --> 00:08:02.100 Stephen M Ward: yeah I was really happy with the students and happy for them and proud of them got a good turnout, which was, which was really encouraging as I. 76 00:08:03.210 --> 00:08:04.740 Stephen M Ward: Well, and the. 77 00:08:06.270 --> 00:08:24.780 Stephen M Ward: I uploaded it to the 50th drive the recording zoom recording as well as the slides, and it was to set of slides there one is the bios lies he stood in the class did own bias like one's not there, so there's 1011 another set of slides is what they presented last night was just saying. 78 00:08:27.720 --> 00:08:29.460 Stephen M Ward: is, I think I think that's. 79 00:08:32.160 --> 00:08:33.270 Stephen M Ward: All to share, about that. 80 00:08:35.340 --> 00:08:39.900 Elizabeth James: It was amazing they did incredible projects and. 81 00:08:41.100 --> 00:08:42.690 Elizabeth James: You could just tell how. 82 00:08:43.890 --> 00:08:49.410 Elizabeth James: It was, it was a time when you could see I mean it was i'd call it, it is there's an action. 83 00:08:49.650 --> 00:08:51.480 Elizabeth James: You know, you could see how they. 84 00:08:51.930 --> 00:08:58.650 Elizabeth James: have become motivated and really moved by research and. 85 00:08:59.940 --> 00:09:13.620 Elizabeth James: I wrote Brian because you know the bitly and those who work so hard you know Librarians and archivists often don't get much acclaim so the thought of you know. 86 00:09:14.670 --> 00:09:21.990 Elizabeth James: them having helped with that it was just that it was so incredible the kids were great they really were. 87 00:09:28.230 --> 00:09:34.830 Matthew J Countryman: So one thing that occurred to me it made me think is maybe we ought to have to extend your response, a. 88 00:09:36.060 --> 00:09:38.490 Matthew J Countryman: Category called undergraduate presentations. 89 00:09:40.290 --> 00:09:48.000 Matthew J Countryman: That we could click that recording and other kinds of things that use other undergraduates who use our. 90 00:09:51.030 --> 00:09:58.110 Matthew J Countryman: Either the website or the you know the bentley holdings to develop things and we, I mean the reason I occur to me is. 91 00:09:59.580 --> 00:10:12.780 Matthew J Countryman: As a separate category was I would want people you know, I think, preserving that and making public available would be great but it's obviously those are very different kinds of presentations then in the exhibit or something where so I wouldn't want to categorize them with that. 92 00:10:14.130 --> 00:10:21.690 Matthew J Countryman: But I thought, particularly the testimonials about what it meant for them to be able to go into the archives and access to historical material. 93 00:10:24.990 --> 00:10:31.950 Matthew J Countryman: we're we're really you know I just think that that that that's a really great thing for people to be able to see and. 94 00:10:33.150 --> 00:10:46.500 Matthew J Countryman: So I you know I I don't think you know we take to make it seems up something more than that would involve work the ways we could just put the video up there, and it would be what it is and people will understand what it is. 95 00:10:48.600 --> 00:10:56.610 Stephen M Ward: And I think at that point about the archive one one of the things that the students really didn't really make clear last night, was in the main, they were in the cast collection. 96 00:10:57.030 --> 00:10:58.830 Stephen M Ward: Some of them did stuff from other collections. 97 00:10:59.070 --> 00:11:00.930 Stephen M Ward: case with Mike Mike wallace and others. 98 00:11:01.110 --> 00:11:07.800 Stephen M Ward: But it all started from the from the Catholics, so I mean that that could be a way to do what you're talking about the framing Matthews that. 99 00:11:09.060 --> 00:11:09.330 Stephen M Ward: Is. 100 00:11:10.380 --> 00:11:13.800 Stephen M Ward: Our our our departments are kind of a collection. 101 00:11:15.120 --> 00:11:17.520 Stephen M Ward: So these are presentations with Grad students engaged with. 102 00:11:17.910 --> 00:11:19.830 Matthew J Countryman: presentations based on the collection right. 103 00:11:20.880 --> 00:11:23.100 Matthew J Countryman: And that would be that would be right, the framing I think that's. 104 00:11:23.100 --> 00:11:27.030 Stephen M Ward: Right to their engagement with some again, some of them are actually not based on. 105 00:11:27.540 --> 00:11:29.490 Matthew J Countryman: Well, but it's clear that they learned about these events. 106 00:11:29.520 --> 00:11:31.470 Matthew J Countryman: Right right right So even if it's. 107 00:11:31.740 --> 00:11:32.130 Stephen M Ward: not ready. 108 00:11:33.540 --> 00:11:36.000 Matthew J Countryman: And pedagogically it makes it where we want to restrict them. 109 00:11:36.060 --> 00:11:37.410 Matthew J Countryman: Right to that all right right. 110 00:11:37.440 --> 00:11:37.980 Stephen M Ward: that's how it. 111 00:11:38.640 --> 00:11:41.910 Matthew J Countryman: But if it's the launching point I mean, I think that makes it really. 112 00:11:42.990 --> 00:11:43.830 Matthew J Countryman: really works. 113 00:11:44.220 --> 00:11:48.090 Stephen M Ward: And, and the in the 15th was a big part of the last point of the class. 114 00:11:48.180 --> 00:11:48.510 Stephen M Ward: number. 115 00:11:48.540 --> 00:11:53.280 Stephen M Ward: Of course, already existed before that, but I framed it this generation has shifted so. 116 00:11:54.480 --> 00:11:57.000 Matthew J Countryman: I said was it large testimonies and looking at the syllabus. 117 00:11:57.090 --> 00:12:00.960 Matthew J Countryman: From the 70s and how that influenced her her course proposal was. 118 00:12:02.850 --> 00:12:04.050 Matthew J Countryman: very special moment that. 119 00:12:05.130 --> 00:12:07.170 Matthew J Countryman: That actually came up in the retreat this morning, too, so. 120 00:12:09.720 --> 00:12:10.500 Matthew J Countryman: Great testimony. 121 00:12:11.010 --> 00:12:17.610 Stephen M Ward: And i'll just reiterate best point she has been about Brian which is Brian Williams, one of the again the archivist who was there last night. 122 00:12:18.630 --> 00:12:22.050 Stephen M Ward: But I worked for I worked with three of them send them Brian and Sarah and they were great. 123 00:12:22.530 --> 00:12:23.580 Matthew J Countryman: they're offering the more they're at. 124 00:12:23.610 --> 00:12:24.600 Matthew J Countryman: least for party last night. 125 00:12:25.320 --> 00:12:31.050 Stephen M Ward: I saw the names, but I didn't receive it in there, but yeah but but but they they met with the students. 126 00:12:31.500 --> 00:12:48.090 Stephen M Ward: came to class number times, but what we're seeing is outside of class so that I really want to make sure we have to acknowledge them and that, and this was just all digital so I mean you say you've been getting into the archives before and presumably after the pandemic. 127 00:12:48.990 --> 00:12:50.400 Matthew J Countryman: They had and what really gets me oh. 128 00:12:51.510 --> 00:12:53.160 Stephen M Ward: yeah well because we've seen some great. 129 00:12:54.780 --> 00:12:59.640 Elizabeth James: And that's the beauty I think of the cycle that because of the. 130 00:13:00.780 --> 00:13:02.850 Elizabeth James: Students demands and bb. 131 00:13:04.080 --> 00:13:09.930 Elizabeth James: The archives words digitized so they would be accessible or other than that they would not have been. 132 00:13:10.380 --> 00:13:12.300 Stephen M Ward: The I tried to hammer that home and begin oh. 133 00:13:12.300 --> 00:13:13.290 Matthew J Countryman: You got it. 134 00:13:14.160 --> 00:13:14.940 Matthew J Countryman: I thought they got it. 135 00:13:21.210 --> 00:13:24.690 Tara Mondesi Weinberg: yeah I really enjoyed it too, I thought the students, where. 136 00:13:25.920 --> 00:13:30.150 Tara Mondesi Weinberg: You could see their care for each other as well, and the oneness that they had for each other. 137 00:13:34.110 --> 00:13:35.040 Tara Mondesi Weinberg: yeah No, sorry. 138 00:13:37.170 --> 00:13:53.640 Tara Mondesi Weinberg: That was just really awesome to say that, to see that combined with like the the brilliant you know historical work that they're doing, and also the political radicalism, the combination of those three things together, that was awesome i'm sure, a lot of it is down to a CRATE Stephen. 139 00:13:56.880 --> 00:14:14.580 Stephen M Ward: i'm well, thank you, I was sorry I jumped in i'm also excited to say that because of the a special moment the ones that we share it after afterwards we stayed on so I gotta go get this the best you want to share, I mean we don't it doesn't least the spirit of Assad will remember. 140 00:14:15.900 --> 00:14:27.630 Elizabeth James: Oh, my goodness Chandra had such a beautiful moment she's a returning students she and Keith both are returning students to campus and she spoke about how. 141 00:14:28.590 --> 00:14:41.820 Elizabeth James: Having been here 20 years ago beginning her career and then what it meant to her to have some place that she felt comfortable returning to it was just it was I mean. 142 00:14:42.270 --> 00:14:50.880 Elizabeth James: Everybody was in tears she just really spoke from the heart and said that you know DAS got her through it and you know. 143 00:14:51.690 --> 00:15:06.420 Elizabeth James: It is extraordinary for students to leave and come back after 20 years to finish their degrees now with two children she's living in Chicago she's one of the. 144 00:15:06.930 --> 00:15:19.590 Elizabeth James: boxes you'll be mailing out way she's own just amazing you know, to have that for to to depress through you know so many other folks you know walk away, and you know. 145 00:15:20.310 --> 00:15:32.220 Elizabeth James: never finished that degree and she really was i'm so glad she had the opportunity to take Stevens classes, a capstone because it helped to you know just put that. 146 00:15:32.940 --> 00:15:48.060 Elizabeth James: Cherry on the top for about coming full circle and how because of that, you know she decided to become a dance major and that's why she wanted to finish up and dance, it was beautiful and I know. 147 00:15:49.110 --> 00:15:58.860 Elizabeth James: We didn't record it and there's a part of me that wishes we had, but on the other hand there was something so intimate about it that i'm kind of glad we did. 148 00:16:00.210 --> 00:16:21.780 Elizabeth James: So it's one of those things where you know just a window in and Keith to for him to say you know me too, you know I came back, he was in the 2000s, but she was back from the 90 so you know here, these two folks have been out of the game for a while and to come back in wow it was great. 149 00:16:25.410 --> 00:16:37.050 Matthew J Countryman: It was also great to be able to because keys, I met with Keith right to begin the Semester and to be able to have that class and have it, because it filled exactly what he needed and I knew that it would. 150 00:16:39.210 --> 00:16:45.360 Matthew J Countryman: just be a space where where that that sense of connection could be rebuilt for him, so it was it was exciting to see that it worked. 151 00:16:46.200 --> 00:17:03.330 Elizabeth James: yeah and that was a crazy that was another little sidebar moment afterwards, with Steve they got to hear how keys whole project was you know connected to a professor, who was here at you will them. 152 00:17:04.560 --> 00:17:24.420 Elizabeth James: My graduate advisor in the master's program in journalism, then how racist this man had been and my experiences with him that I told him if I had known I would have told him and could have predicted that this was exactly what this man would have done. 153 00:17:26.070 --> 00:17:41.010 Stephen M Ward: hey y'all so I figured I had to leave I missed people's Convention, but I think it doesn't matter, so you know, at the end we stayed on the students and beth and I, and the first thing that when everyone else was gone with Sam was bested keys, let me tell you. 154 00:17:43.080 --> 00:17:47.790 Stephen M Ward: She learned she has it been honed it wasn't a while the Professor. 155 00:17:47.970 --> 00:17:48.900 Elizabeth James: isn't dress. 156 00:17:49.200 --> 00:17:51.690 Stephen M Ward: Is their keys, let me tell you, first of all I had was. 157 00:17:55.350 --> 00:18:03.360 Elizabeth James: I just can't describe to you, I mean you know when you hear about micro aggressions and what professors, how they can impact students. 158 00:18:04.080 --> 00:18:16.260 Elizabeth James: Because of that man, I never went into journalism, because he had sent me to Kentucky as my internship and it was so terrifying and horrible there. 159 00:18:16.680 --> 00:18:27.090 Elizabeth James: That you know they were sending me on like dark roads like riding past Klan rallies just things that I had never experienced as a. 160 00:18:27.930 --> 00:18:33.810 Elizabeth James: Child from the Midwest and so you know going through that as a graduate student and. 161 00:18:34.290 --> 00:18:51.090 Elizabeth James: The level entire I pray that you never have to do, or the kind of things that some people do, but you know it really brought home to me the impact of how professors have on students so it's really interesting because there's now a thread running on. 162 00:18:52.590 --> 00:19:06.960 Elizabeth James: The there's a big 10 alumni for black students it's a big 10 alumni network and the thread running now, or what professors impacted you and I almost put that man's name panel, but I thought it. 163 00:19:08.850 --> 00:19:09.780 Elizabeth James: With the positive. 164 00:19:10.890 --> 00:19:11.400 Stephen M Ward: Positive. 165 00:19:11.850 --> 00:19:13.860 Helen Garbarino: it's a rather than me I titled on mine. 166 00:19:14.940 --> 00:19:17.550 Helen Garbarino: She got a viewer in her class or so yeah. 167 00:19:18.570 --> 00:19:22.080 Elizabeth James: Well, he was the head of the program so there was nobody to tell to. 168 00:19:22.470 --> 00:19:24.390 Helen Garbarino: i'm so sorry i'm so. 169 00:19:25.200 --> 00:19:36.150 Stephen M Ward: He seemed to be Keith Keith Keith on earth seem to show, he was tied in with with Shapiro and and wallace ways outside of your home. 170 00:19:36.780 --> 00:19:47.970 Stephen M Ward: So you may have come up when I stepped away, but I can say quickly that Keith and shagger both of returning students I imagined your tongue, and I think that they are the two strongest presentations. 171 00:19:48.990 --> 00:19:59.460 Stephen M Ward: Projects I want to say, because the presentations where there's a part of their project so Keith actually has many more slides and when he shared Matthew he went in he got into the hate to hate produce, which is. 172 00:20:00.090 --> 00:20:01.080 Stephen M Ward: You know, of course, which. 173 00:20:01.560 --> 00:20:05.730 Stephen M Ward: Which one of the things that helped to launch and Nice and 59 helps helped launch. 174 00:20:06.420 --> 00:20:21.360 Stephen M Ward: Mike wallace but he got into those lomax and those lomax was actually found that project, so he got into a lot of great stuff so the two of them I think their terms of the price of our products really did so I just really so proud of them as trying students who. 175 00:20:23.250 --> 00:20:25.440 Stephen M Ward: did some great work so really great work. 176 00:20:26.820 --> 00:20:32.730 Matthew J Countryman: Well, again if they you know if if what they what they hand in is close to being. 177 00:20:34.590 --> 00:20:48.150 Matthew J Countryman: You know whether it's just slides or whether it's recorded over slides or whatever to being strong enough to being on the website under under under the undergraduate research presentations menu, as distinct things I don't see any reason not to do that. 178 00:20:49.800 --> 00:20:55.170 Stephen M Ward: So I will suggest ones, and then I bring it to the group one guitar what the processes to figure it out. 179 00:20:55.290 --> 00:20:55.650 Matthew J Countryman: to her. 180 00:20:56.010 --> 00:20:56.640 Stephen M Ward: Okay, so. 181 00:20:57.090 --> 00:20:58.920 Matthew J Countryman: yeah and I think you know I think I can see to it. 182 00:20:59.250 --> 00:21:05.130 Matthew J Countryman: To outcomes one is yes, and the other is well if you if the students willing to do xyz. 183 00:21:06.450 --> 00:21:17.970 Matthew J Countryman: To bring it up to it, some you know some whatever bar we come up with, and you know, then then just treated as an optional thing we'd love to be able to present your work, we think you need you to do the following things we totally understand if you're done that's fine. 184 00:21:20.070 --> 00:21:20.580 Stephen M Ward: So. 185 00:21:20.910 --> 00:21:25.320 Stephen M Ward: um I could bring that to our next meeting, but that's the best two weeks from now. 186 00:21:26.010 --> 00:21:27.930 Matthew J Countryman: And in terms of too late, you. 187 00:21:28.230 --> 00:21:33.870 Stephen M Ward: were just trying to communicate not too late, but it might be terms of communicating to the students. 188 00:21:34.950 --> 00:21:43.050 Stephen M Ward: Something is better, if I could do it, you know, probably next week, if there's there's submitted projects and i'll be grading them, so you. 189 00:21:43.080 --> 00:21:48.060 Matthew J Countryman: wouldn't we could do a separate meeting for that whoever's interested to have that conversation next week. 190 00:21:49.050 --> 00:21:53.760 Stephen M Ward: How about this, how about I just say they already know that you know the website has been part of and the. 191 00:21:54.180 --> 00:22:04.920 Stephen M Ward: prospect of them, putting something there the whole time, so how about the ones that I think there's something there I just really unofficially communicate those students hey I want to talk, you know we may want to see about something. 192 00:22:05.760 --> 00:22:08.100 Matthew J Countryman: I mean, I think that's right, we can just have you do the do the. 193 00:22:08.190 --> 00:22:11.250 Matthew J Countryman: Do a which is this is something we would consider. 194 00:22:11.730 --> 00:22:19.950 Matthew J Countryman: Okay, and then we can all look at it, it when we have a little more time and decide either it's ready to go or we'd like them to do X y&z to it. 195 00:22:20.400 --> 00:22:20.670 Matthew J Countryman: But if. 196 00:22:20.880 --> 00:22:23.220 Matthew J Countryman: You make it clear to them that will be one or the other. 197 00:22:24.120 --> 00:22:27.330 Matthew J Countryman: Okay well let's just use you as the kind of first. 198 00:22:27.750 --> 00:22:28.560 Stephen M Ward: First Africa. 199 00:22:28.620 --> 00:22:36.330 Matthew J Countryman: First, evaluate you and which makes sense, but he taught the class so um I think we, you know it, the only question will be whether we want them to do a little bit more work or not. 200 00:22:36.480 --> 00:22:42.930 Stephen M Ward: Okay, well, I can already tell you those two most likely yeah i'll do that for a fact for next meeting next meeting. 201 00:22:44.220 --> 00:22:59.400 Matthew J Countryman: I mean I tell you the truth, I mean Obviously he gave a very here the shortest presentation and I, you know if you tell me no way I would get that but you know justin's work on the justin know what's his name. 202 00:23:00.360 --> 00:23:07.410 Matthew J Countryman: josh gosh sorry josh is work on on RON Johnson, I mean that's a the actual thing he found his extraordinary. 203 00:23:07.860 --> 00:23:08.400 Matthew J Countryman: Right right. 204 00:23:08.520 --> 00:23:10.470 Matthew J Countryman: Depending on how much more he has. 205 00:23:11.160 --> 00:23:14.700 Stephen M Ward: yeah I don't know yeah how many she has so he hasn't yeah. 206 00:23:14.790 --> 00:23:16.710 Matthew J Countryman: Oh, I understand, so i'm just saying that that's. 207 00:23:17.130 --> 00:23:18.780 Matthew J Countryman: Right optically they're all great. 208 00:23:20.430 --> 00:23:21.420 Matthew J Countryman: that's what I should be saying. 209 00:23:23.280 --> 00:23:30.060 Tara Mondesi Weinberg: And thinking Matthew to your idea of having a blog section Thank you floated a couple of weeks ago. 210 00:23:30.690 --> 00:23:45.780 Tara Mondesi Weinberg: That could also be a space, perhaps for the students, so instead of being under the category of sort of undergraduate project, maybe they wanted to adapt their project into a blog post them for them that's also like a nice thing to have a piece of public history out there for. 211 00:23:46.770 --> 00:23:49.650 Stephen M Ward: And for a block those they could take one portion of their pricing. 212 00:23:49.650 --> 00:23:50.520 Tara Mondesi Weinberg: Right yeah right. 213 00:23:50.850 --> 00:23:51.420 Stephen M Ward: It doesn't have. 214 00:23:51.450 --> 00:23:54.630 Matthew J Countryman: Personally, about their experience of it as well right right. 215 00:23:55.140 --> 00:23:59.580 Stephen M Ward: So can I tell them that this blog post, maybe there's a there's a possibility. 216 00:23:59.610 --> 00:24:04.920 Matthew J Countryman: is about it, maybe they mean let's just say any one of them could do blog post whatever when you have about their presentation. 217 00:24:05.670 --> 00:24:13.320 Stephen M Ward: i'll say that the bass jt is considering having blog posts on the site in if you if you're interested some of your project would be there, please let me know. 218 00:24:14.190 --> 00:24:22.770 Matthew J Countryman: So, for example on the student government guy I mean he his blog posts would be a fascinating thing to have have up there, and just just comments yesterday about how. 219 00:24:23.640 --> 00:24:30.990 Matthew J Countryman: How he feels like to central student govern people don't understand margin black students experiences and how he's trying to fix fill that is fascinating. 220 00:24:31.770 --> 00:24:36.540 Stephen M Ward: So that that has been a fascinating relevant for us part of his trajectory. 221 00:24:37.050 --> 00:24:45.810 Stephen M Ward: Is he had classes with Sandra and at least one other deaths as maybe see you tomorrow bye no signage are talking sondra about this trajectory was very much frame to shake. 222 00:24:46.200 --> 00:24:55.620 Stephen M Ward: His trajectory and how we came to that project so previous previous DAS Professor class are very much built into what he is analysis. 223 00:24:59.250 --> 00:25:08.040 Matthew J Countryman: should say that I don't have Tara dear if you've met if you met with jira yet, but the plan for for the discussion with the video stuff that Danny did. 224 00:25:09.810 --> 00:25:14.370 Matthew J Countryman: You know, it was amazing to see it's amazing footage and she she really compiled it well. 225 00:25:15.180 --> 00:25:21.630 Matthew J Countryman: We want to talk a little bit about framing of it, and whether it should be a distinct section of the final. 226 00:25:22.170 --> 00:25:35.130 Matthew J Countryman: thing to broader thing to hear and are working on, or whether we might ask her to just disperse it throughout the whole thing we haven't figured all that out um but we definitely you know really excited to use that material in the. 227 00:25:35.160 --> 00:25:37.020 Tara Mondesi Weinberg: yeah the finished product. 228 00:25:39.360 --> 00:25:48.600 Tara Mondesi Weinberg: yeah agreed I haven't had a chance to talk to to hear you can get his thoughts on it and i'll send him the link now that Stephen you mentioned it's backloaded there so. 229 00:25:49.770 --> 00:25:54.090 Tara Mondesi Weinberg: yeah I thought it was really good she picked up some some really interesting pieces of footage. 230 00:25:54.720 --> 00:26:01.980 Tara Mondesi Weinberg: And as messy says either could be interspersed with the whole documentary or if its own section on sort of like. 231 00:26:02.850 --> 00:26:17.160 Tara Mondesi Weinberg: Black creativity and Community building your desk that I might need some more editorial interventions, just to to help explain where each piece of footage comes from and and how it fits in with the story that we're telling. 232 00:26:18.930 --> 00:26:24.480 Tara Mondesi Weinberg: But that's stressful going forward so to hear, and I will talk to Danny about that, and next week. 233 00:26:27.510 --> 00:26:37.770 Matthew J Countryman: You know, and also just some framing about the central importance of African influence yes and dance to the cultural life of black studies in the 1970. 234 00:26:37.770 --> 00:26:37.950 and 235 00:26:39.840 --> 00:26:47.400 Matthew J Countryman: The black power right she just you know that just needs to be put in there, so that explains why it's in the larger piece. 236 00:26:49.110 --> 00:26:53.940 Stephen M Ward: That could be a voiceover that could be some text written there that could be different ways yeah. 237 00:26:55.770 --> 00:26:56.040 Tara Mondesi Weinberg: yeah. 238 00:26:57.150 --> 00:27:12.870 Elizabeth James: And it really connects with the reasons why we still continue to have things like kwanzaa celebrated in a department, you know what goes to a cultural event that is one of our you know keystone events throughout the year. 239 00:27:14.880 --> 00:27:20.520 Matthew J Countryman: Is there still a Gospel or black student choir on campus. 240 00:27:22.680 --> 00:27:24.120 Elizabeth James: I have heard, there is. 241 00:27:25.200 --> 00:27:41.910 Elizabeth James: I don't know what happened during the pandemic, but the Gospel corral I know, maybe it was two years ago they had me judge a karaoke contest they had which is kind of bizarre for Gospel corral. 242 00:27:43.770 --> 00:27:46.680 Matthew J Countryman: Not bizarre it's just the culture of the young people back. 243 00:27:49.170 --> 00:27:57.420 Elizabeth James: It was, it was very interesting, it was secular music a cat I guess they invited me because a guy came dressed as friends. 244 00:27:57.510 --> 00:28:06.840 Elizabeth James: And it was guitar at me I don't know what that was about you just never know with our student organizations what you're headed into. 245 00:28:07.080 --> 00:28:07.830 The Gospel group. 246 00:28:10.470 --> 00:28:12.750 Stephen M Ward: For there was not Gospel and there was not actually soon. 247 00:28:13.980 --> 00:28:16.380 Elizabeth James: Exactly So there you have. 248 00:28:18.660 --> 00:28:24.780 Wayne High: We go a couple of months without the talk and all of a sudden you're judging this type of thing. 249 00:28:26.880 --> 00:28:28.410 Stephen M Ward: boy how'd you. 250 00:28:32.400 --> 00:28:35.190 Elizabeth James: Well, this guy and it was crazy. 251 00:28:36.660 --> 00:28:40.110 Elizabeth James: I have to just tell you it was just a bit it was. 252 00:28:41.550 --> 00:28:48.330 Matthew J Countryman: Well, if they have any ephemera like a poster from relatively recent have a Gospel choir corral event. 253 00:28:48.360 --> 00:28:51.630 Matthew J Countryman: Oh, that would be lovely to add into that Chris. 254 00:28:52.860 --> 00:28:55.530 Matthew J Countryman: Just to connect past and present. 255 00:28:57.390 --> 00:29:01.440 Elizabeth James: So okay i'll ask i'll ask some of the alarm. 256 00:29:02.700 --> 00:29:04.140 Matthew J Countryman: Because it has to be even if it's. 257 00:29:04.290 --> 00:29:09.360 Matthew J Countryman: Even if it's not active, because the pandemic the was two years ago that's good enough for that matter. 258 00:29:10.650 --> 00:29:14.460 Tara Mondesi Weinberg: yeah that'd be interesting, as you saw from what Danny put together we're kind of we're going with. 259 00:29:15.600 --> 00:29:28.890 Tara Mondesi Weinberg: Like the 70s kind of black and white, but I do wonder if the whole documentary at 10 minutes is black and white, like that, then it might feel maybe maybe it needs some some splashes. 260 00:29:30.090 --> 00:29:33.390 Tara Mondesi Weinberg: Of color footage and so on, as well, I don't know what you guys thought. 261 00:29:36.810 --> 00:29:43.200 Helen Garbarino: I think I had questions about some of it, because it was really interesting but I didn't have a lot of context so kind of like what everyone said. 262 00:29:43.830 --> 00:29:58.710 Helen Garbarino: I was the dance video like early stopped because I saw some of those influences I was really curious about it so it's still a huge sign at flint campus so to really sweet to see it here and kind of the origins of that and to learn more about it. 263 00:29:59.640 --> 00:30:05.850 Elizabeth James: yeah and I know I can definitely get in touch with Courtney Monroe who was also a day RC and she. 264 00:30:06.630 --> 00:30:27.330 Elizabeth James: runs the Office for Greek life to the mph see so she can let me know, but I know they still have the step shows again with the pandemic they didn't but I mean even I know from my generation on it was usually like the last day of classes, there was a huge step show at the field house. 265 00:30:27.720 --> 00:30:34.530 Elizabeth James: And I don't know when that changed over, but then they moved to power Center it's been around on campus so. 266 00:30:36.060 --> 00:30:45.570 Elizabeth James: Again, following up and following that trail as to you know what they what they're doing now, I can I can find out about that too. 267 00:30:46.380 --> 00:30:54.300 Helen Garbarino: that'd be really interesting because it's just very present and find like it's just all the time it's not just up until the year so it'd be interesting to learn more. 268 00:30:55.140 --> 00:31:06.600 Elizabeth James: Oh yeah they do it at events it's like again you don't want to be sitting there and then suddenly step shows come just dance in through the aisles and you never know you know you just have to. 269 00:31:06.900 --> 00:31:14.370 Elizabeth James: kind of everybody quickly moves their chairs out the way, because once they start coming it's not stopping so. 270 00:31:14.430 --> 00:31:17.910 Helen Garbarino: Always energy, I definitely I watch from a distance. 271 00:31:18.960 --> 00:31:20.790 Helen Garbarino: I really, really interesting so. 272 00:31:21.240 --> 00:31:25.140 Helen Garbarino: i'd like to see our connections to that because I know it's still really important on campus. 273 00:31:25.470 --> 00:31:28.650 Elizabeth James: Oh yeah it's definitely here it's just. 274 00:31:28.860 --> 00:31:30.120 Elizabeth James: You know I know that. 275 00:31:30.480 --> 00:31:35.070 Elizabeth James: I keep telling them to be prepared, because once we come back to campus. 276 00:31:36.180 --> 00:31:48.780 Elizabeth James: I really feel like there's going to be just such a huge explosion of energy from not only the fact that we're going to have to incoming freshman classes who haven't been full on campus all year. 277 00:31:49.290 --> 00:31:59.130 Elizabeth James: But also the other class that got only half a semester, you know only got one semester you've just got a bunch of people who haven't. 278 00:31:59.610 --> 00:32:19.860 Elizabeth James: been present on campus and they're all going to want to be doing things so we're actually be a shoe is going to move a mojo over to the arm the field, the big field in front of mojo because it's not going to be able to be sustained in the diag it's just going to be too many kids. 279 00:32:22.440 --> 00:32:32.610 Matthew J Countryman: I just I just typed in the YouTube search you university Michigan step show, and most of what I got is the marching band, but there were two campus to Kappa ones, one from. 280 00:32:35.400 --> 00:32:43.890 Matthew J Countryman: A step show and it came show, so I put that link in just to the search i'm sure there's a lot more, if you go further, particularly if you put in black Greek step show or something you. 281 00:32:45.480 --> 00:32:47.850 Elizabeth James: know so yeah any you know, I think. 282 00:32:47.880 --> 00:32:53.970 Matthew J Countryman: Maybe what we could one idea Tara occurs to me, is just at the end, like up. 283 00:32:55.800 --> 00:33:11.640 Matthew J Countryman: In color more modern images that are similar, whether they are performance or professors doing something in any kind of just quick flashing have lots of images to suggest the continuity, without actually having to do anything with it. 284 00:33:13.140 --> 00:33:14.520 Matthew J Countryman: might be cool so. 285 00:33:14.970 --> 00:33:15.300 Tara Mondesi Weinberg: I can. 286 00:33:15.870 --> 00:33:29.670 Elizabeth James: actually find that clip of you said about black celebs Stephen there was one black celeb when James and matt lack and some of the others all started stepping when the alphas came out. 287 00:33:30.150 --> 00:33:41.340 Elizabeth James: And it was amazing because they had no idea these grown old men we're gonna jump up and start attempting to do, and I say it tempting because it was. 288 00:33:43.620 --> 00:33:44.280 Helen Garbarino: seen a. 289 00:33:44.490 --> 00:33:47.820 Helen Garbarino: Our fraternity brothers on fire very strong so anytime I get. 290 00:33:48.900 --> 00:33:49.620 Helen Garbarino: A lot of energy. 291 00:33:50.550 --> 00:33:59.610 Elizabeth James: And, and they are planning a huge homecoming this year, so they I don't know how they're going to do this, but they still want social distancing but. 292 00:34:00.030 --> 00:34:18.540 Elizabeth James: they're going to have a full day of just offense so I know there'll be lots of stepping if we don't have any I mean if we want to have something up to the present, whatever happens, this homecoming and I think it's in September, so it should be still warm hopefully but. 293 00:34:19.620 --> 00:34:28.590 Helen Garbarino: yeah i'll try to hit you up and see if we can find a student that probably has a video we don't need anything super fancy but it'd be cool to have the comparison from before and now. 294 00:34:29.850 --> 00:34:30.930 Tara Mondesi Weinberg: i'll be great Thank you. 295 00:34:38.070 --> 00:34:44.040 Matthew J Countryman: don't tell anybody my first attempt to do black Greek step show in the search was black geek step show and so don't tell them I said, did that. 296 00:34:45.720 --> 00:34:46.950 Helen Garbarino: comic con is valid. 297 00:34:53.880 --> 00:34:57.930 Elizabeth James: I keep calling my sister a blurred and here she's not fb. 298 00:34:59.490 --> 00:35:01.950 Matthew J Countryman: Black nerds are all they're all the rage right now i'm told. 299 00:35:02.160 --> 00:35:08.760 Elizabeth James: and black academics, they have it's just all these new little names folks are coming up with but. 300 00:35:09.930 --> 00:35:11.640 Elizabeth James: um it's too much. 301 00:35:14.430 --> 00:35:24.720 Matthew J Countryman: Alright, so before we get too silly any other pieces of business updates things we need to grapple with before we all go into full blown end of semester graduation mode. 302 00:35:25.980 --> 00:35:29.310 Elizabeth James: i'm Tara you want to tell them about the interview Monday. 303 00:35:30.600 --> 00:35:38.700 Tara Mondesi Weinberg: yeah sure beth and Ashley and I had a wonderful interview and chat with Andre and Jenny. 304 00:35:39.840 --> 00:35:45.150 Tara Mondesi Weinberg: Who were her death alarms from when was the best that they graduated roughly. 305 00:35:45.990 --> 00:35:49.170 Tara Mondesi Weinberg: 2005 okay yeah. 306 00:35:50.340 --> 00:35:58.980 Tara Mondesi Weinberg: And so they told us about their experiences and DAS and really sort of spoke to the like the way the desert sort of changed their life trajectories. 307 00:35:59.700 --> 00:36:08.670 Tara Mondesi Weinberg: In terms of the courses that they took and the community that they found and the study abroad programs what they did, and how that change the way that they reflect on themselves. 308 00:36:10.680 --> 00:36:18.840 Tara Mondesi Weinberg: And yeah it was it was awesome really enjoyed it there they're both wonderful people so thanks for setting that up. 309 00:36:20.400 --> 00:36:25.950 Elizabeth James: My pleasure they're just so great and again they brought up some. 310 00:36:27.270 --> 00:36:37.710 Elizabeth James: different issues than I had even anticipated, you know some things I knew they were going to speak to but they talked very literally about the move to haven hall. 311 00:36:38.190 --> 00:36:58.680 Elizabeth James: And how upset they were that their home was being they were being usurped they felt it was like gentrification and I just find it really interesting because I know I know my heart broke, when we were forced to move, but, at the time they you know, there was no. 312 00:36:59.940 --> 00:37:18.180 Elizabeth James: It because it was winter, there was no opportunity for protest or anything like that, and it was pretty much a done deal because of the Dean wanting to have the ethnic power tower, as she called it, so you know it was really an interesting to hear it from them, I was just really surprised. 313 00:37:20.610 --> 00:37:35.250 Tara Mondesi Weinberg: yeah they said it felt like they were moving into this new kind of corporate type academic space at the time in haven whole rather than the place off to the to the side that they had carved out for themselves. 314 00:37:38.340 --> 00:37:39.120 Matthew J Countryman: that's fascinating. 315 00:37:41.220 --> 00:37:45.000 Stephen M Ward: It is like you said, I would have not anticipated students would have. 316 00:37:47.220 --> 00:37:48.630 Stephen M Ward: felt so strongly about the moon. 317 00:37:50.550 --> 00:37:52.560 Elizabeth James: Because well you know, we had built such a. 318 00:37:53.700 --> 00:37:58.620 Elizabeth James: You know, with the wood and the the way that library looked. 319 00:37:59.070 --> 00:38:02.100 Matthew J Countryman: library mean that's right that library, you can see why that. 320 00:38:02.580 --> 00:38:05.070 Stephen M Ward: that's the big one of the big things the library right. 321 00:38:06.330 --> 00:38:20.370 Elizabeth James: And it was kind of like the Central Station you know with the fourier there because that's where they were teasing and talking about we had so many events in that for you on the second floor then that's where Malcolm and Martin resided. 322 00:38:20.760 --> 00:38:27.420 Elizabeth James: In that hallway so it was like we're in whenever we had events that's exactly where they were killed. 323 00:38:36.540 --> 00:38:36.870 Matthew J Countryman: i'm sorry. 324 00:38:37.140 --> 00:38:39.330 Tara Mondesi Weinberg: That happened, why did the mood happen. 325 00:38:40.560 --> 00:38:52.440 Matthew J Countryman: Well yeah I mean that's right, so there was this was for a very short period time a Dean, who wanted to put um DAS and AC in the same building next to each other. 326 00:38:53.610 --> 00:38:55.590 Matthew J Countryman: And AC which had terrible space. 327 00:38:56.640 --> 00:39:05.550 Matthew J Countryman: For AC was a huge step up favorite hall space, whereas for DAS, I mean you could argue that was it so that haven is a little bit. 328 00:39:06.930 --> 00:39:09.210 Matthew J Countryman: was just you know, it was in some ways a nicer space. 329 00:39:10.230 --> 00:39:11.670 Matthew J Countryman: Though but not larger. 330 00:39:11.760 --> 00:39:24.900 Matthew J Countryman: And it clearly has much less functional pub a common areas right, then it then, then the West hall space it's the first floor of West Hall, where and throw it that's that was first and second floor. 331 00:39:27.150 --> 00:39:31.740 Matthew J Countryman: So it wasn't it was much more of a lateral move for DAS in terms of space and I. 332 00:39:32.640 --> 00:39:34.020 Stephen M Ward: Have a mountain spacious thing. 333 00:39:34.050 --> 00:39:34.950 Matthew J Countryman: Right yeah. 334 00:39:35.400 --> 00:39:36.000 Stephen M Ward: But the. 335 00:39:37.110 --> 00:39:41.220 Stephen M Ward: configuration space, it was the last week we didn't have an open area. 336 00:39:41.250 --> 00:39:46.410 Matthew J Countryman: My only experience with it, I was a postdoc over there and I had the worst office on the on campus for me. 337 00:39:51.210 --> 00:40:01.200 Matthew J Countryman: I don't even think I think you guys could figure it out, it was this little tiny no windows, in the middle, on the first on the first floor in the middle there, I mean. 338 00:40:02.100 --> 00:40:02.610 Matthew J Countryman: I was great. 339 00:40:03.000 --> 00:40:05.640 Matthew J Countryman: I only use it to meet with students and it was fine but. 340 00:40:06.840 --> 00:40:07.710 Helen Garbarino: storage space. 341 00:40:08.040 --> 00:40:09.990 Matthew J Countryman: yeah yeah probably storage space now that's right. 342 00:40:10.230 --> 00:40:10.800 yeah. 343 00:40:11.970 --> 00:40:26.910 Elizabeth James: And the murals I mean Professor law carted paint and murals and our front office that was you know this huge son with beams blowing out, it was it was just beautiful, so you know, it was a big change for us. 344 00:40:29.880 --> 00:40:34.110 Tara Mondesi Weinberg: And now the interesting thing was that a lot of what Andrea and Jenny was saying about. 345 00:40:34.500 --> 00:40:43.230 Tara Mondesi Weinberg: What they were the kind of activist work that they were doing a students echoed what was said by the band people, so I just been watching that interview with. 346 00:40:43.740 --> 00:40:54.270 Tara Mondesi Weinberg: run run Harris straight right Matthew confused confused the to run with their own Harris of sort of going to the history department and having to fight to have black history. 347 00:40:54.780 --> 00:41:04.860 Tara Mondesi Weinberg: be taken seriously, beyond the history of slavery, for example, and under engineer talked about executive those battles and other departments and it's been. 348 00:41:06.090 --> 00:41:08.250 Tara Mondesi Weinberg: Really rewarding to be in a place like that. 349 00:41:09.750 --> 00:41:16.650 Tara Mondesi Weinberg: Where they could yeah they could do, what kind of critical research that wasn't balanced in marginalized in that same way. 350 00:41:18.150 --> 00:41:23.940 Tara Mondesi Weinberg: So there's like generational struggles ready came through strongly so from the interview to. 351 00:41:30.270 --> 00:41:35.250 Matthew J Countryman: So thank you, thank you and i'm so you, so this is all transcribed it will get posted and all of that. 352 00:41:35.820 --> 00:41:39.630 Elizabeth James: Oh yeah that I have to send it over i'll convert it. 353 00:41:39.690 --> 00:41:50.940 Matthew J Countryman: there's no rush, I mean just it's just a reminder, every time with you all history of how much more we can do with oral histories and it's an endless and you know, we should just keep keep at it, because they're really so rich. 354 00:41:52.350 --> 00:41:52.860 Can we. 355 00:41:56.070 --> 00:41:56.640 Matthew J Countryman: Go ahead Helen. 356 00:41:56.850 --> 00:42:02.640 Helen Garbarino: Can we add sondra to that list or interview she's about to be alumni and I think having maybe her story of. 357 00:42:03.090 --> 00:42:08.430 Helen Garbarino: Coming back would be really important to kind of look towards the future of how we document things to. 358 00:42:10.620 --> 00:42:15.480 Helen Garbarino: i'd really love to hear more from her after presentation so little little bit of a personal but i'd also. 359 00:42:15.540 --> 00:42:22.620 Matthew J Countryman: You know, maybe her and Keith together would be interesting um yeah so that's a really good idea. 360 00:42:26.940 --> 00:42:33.150 Tara Mondesi Weinberg: And best which folder are we using for these interviews, are we going to put them in our history or. 361 00:42:35.040 --> 00:42:35.880 Tara Mondesi Weinberg: History project. 362 00:42:36.600 --> 00:42:38.940 Elizabeth James: Is there where I put the other one i'm. 363 00:42:40.560 --> 00:42:41.100 Tara Mondesi Weinberg: sure. 364 00:42:43.170 --> 00:42:55.680 Arielle Chen: So so far we've been putting them in oral history, and then they each have their own folder with the name of the person being interviewed um any of the new interviews if they don't already have. 365 00:42:57.540 --> 00:43:01.530 Arielle Chen: Like cliff markings, or like a. 366 00:43:03.360 --> 00:43:06.510 Arielle Chen: Call annotations they have not been live yet. 367 00:43:13.440 --> 00:43:24.780 Tara Mondesi Weinberg: And how does the transcription process work, because I know like when the last one I did the interview Deborah Robinson, we have you know from the CC we have that transcript. 368 00:43:25.440 --> 00:43:31.410 Tara Mondesi Weinberg: yeah did we always still running it through some other software or would one of us go through that and correct the issue. 369 00:43:32.640 --> 00:43:33.840 Matthew J Countryman: I don't think we're oral. 370 00:43:35.070 --> 00:43:35.670 Go ahead sorry. 371 00:43:36.780 --> 00:43:49.200 Arielle Chen: For oral histories that have life has the feature we've we have not been running into the same time, just because it does require a cost but for things that do not have that feature already, especially the archives materials. 372 00:43:49.500 --> 00:43:51.810 Arielle Chen: that's what we have the funding to run. 373 00:43:52.110 --> 00:43:54.030 Tara Mondesi Weinberg: Okay got it got it okay. 374 00:43:54.060 --> 00:44:07.710 Matthew J Countryman: But we do need, so we do need someone to listen to the tape and compare it to the transcripts and do the corrections and then it makes sense, I mean we're possible if it's the same person right, they can also think about. 375 00:44:09.780 --> 00:44:10.560 Matthew J Countryman: How to. 376 00:44:12.840 --> 00:44:19.830 Matthew J Countryman: chop it up, in essence, how to create many, many oral histories that are annotated people know what the subject matter is. 377 00:44:20.310 --> 00:44:33.750 Matthew J Countryman: So that people don't have to listen to the whole interview in order to find whatever it is future researchers won't have to listen to the whole interview to find whatever it is they're looking for in that in the interview which I think is really important for undergrads be. 378 00:44:33.810 --> 00:44:34.410 Wayne High: To be frank. 379 00:44:34.800 --> 00:44:43.320 Matthew J Countryman: Right, so that if undergrads are going to use this material they're not going to sit through a two hour interview to try to find that one nugget like some crazy nerdy Grad student. 380 00:44:47.520 --> 00:44:52.920 Matthew J Countryman: But i'd be fascinated the whole time by everything else, but what you're looking for right so. 381 00:44:53.880 --> 00:44:54.120 Tara Mondesi Weinberg: In the. 382 00:44:57.810 --> 00:44:58.860 Helen Garbarino: History people in here. 383 00:45:02.730 --> 00:45:05.160 Matthew J Countryman: And then forget what you what it is, you came for in the first place. 384 00:45:07.050 --> 00:45:16.770 Matthew J Countryman: but, rather, so if we can annotate that I think that's really worked well and it's going to make it much more usable material for undergraduate teaching and for you know alumni who wander in and things too so. 385 00:45:24.480 --> 00:45:36.540 Tara Mondesi Weinberg: have another question about the Google jive so I was trying to move stuff around like I was trying to move Deborah Robinson stuff out of the nisha folder, but it seems like I don't have permissions to move things. 386 00:45:38.010 --> 00:45:39.090 Tara Mondesi Weinberg: did anyone know about that. 387 00:45:42.300 --> 00:45:45.660 Arielle Chen: That would be me it depends on how you're trying to move it because some. 388 00:45:47.220 --> 00:45:54.630 Arielle Chen: If you're trying to move individual files versus trying to move a whole folder unfortunately that isn't always that great when it comes to moving folders. 389 00:45:55.140 --> 00:45:56.550 Arielle Chen: i'm going to check your accesses. 390 00:45:56.550 --> 00:45:57.120 Arielle Chen: Right now. 391 00:45:59.430 --> 00:46:06.090 Arielle Chen: But if you are trying to move a whole folder there's a possibility that you won't be able to do that just because sometimes Google drive doesn't allow that. 392 00:46:06.960 --> 00:46:07.980 Tara Mondesi Weinberg: OK, I see. 393 00:46:09.360 --> 00:46:13.770 Tara Mondesi Weinberg: Okay, I was both files and folders have the move to option is grayed out. 394 00:46:17.880 --> 00:46:19.860 Tara Mondesi Weinberg: So thanks for checking that. 395 00:46:32.670 --> 00:46:41.760 Wayne High: Well, are we doing that I think i'll take a moment to report, no progress as of yet with regard to our storage in some respects. 396 00:46:43.110 --> 00:46:50.940 Wayne High: 25 terabytes take some time to provision and that's where we are right now, while that is happening, I think. 397 00:46:52.680 --> 00:46:58.950 Wayne High: We may still need to work through some of the details that are associated with access i've had a. 398 00:46:59.730 --> 00:47:18.780 Wayne High: Community created and I may have to change the nature of that community such that when someone's requesting access to that storage, it could hit all of our inbox is because all of us here on this call are Members in that group that was created, so I hope to have. 399 00:47:20.100 --> 00:47:22.350 Wayne High: Joe power in john's. 400 00:47:23.370 --> 00:47:29.430 Wayne High: resolution and the upcoming week so that I can brief everyone on what we look like going forward. 401 00:47:30.300 --> 00:47:48.960 Wayne High: But I was able to determine that the $230 a year costs is before the costs year by the time the college's costs year kicks in our annual cost with 25 terabytes is like 30 bucks so it's a bit and said comparison so. 402 00:47:50.820 --> 00:47:59.040 Wayne High: that's all I had to report unless Arielle you or Helen pick up something that I might have missed from last round of communications. 403 00:47:59.820 --> 00:48:01.650 Helen Garbarino: No that's kind of what I got from it. 404 00:48:04.710 --> 00:48:10.500 Arielle Chen: Why do have one thing for the dropbox shared drive. 405 00:48:11.760 --> 00:48:27.090 Arielle Chen: If there's anyone else that needs to be added, if they just get added to the Community that when creative, they should be all set to get added if they have any access issues feel free to send me a message, but as of right now it's shared to everyone that's on that can that m community. 406 00:48:28.590 --> 00:48:31.440 Matthew J Countryman: Did I see there was some sort of may 1 deadline for. 407 00:48:32.610 --> 00:48:35.070 Wayne High: box dropbox create. 408 00:48:35.100 --> 00:48:35.910 dropbox. 409 00:48:37.200 --> 00:48:37.740 Arielle Chen: um. 410 00:48:37.860 --> 00:48:42.030 Matthew J Countryman: You haven't done yet there are some some I can't imagine they'll keep you from doing it after May 1 but. 411 00:48:42.660 --> 00:48:47.100 Arielle Chen: They won't keep you, but the but the reason that that deadline is there is because. 412 00:48:47.580 --> 00:48:56.250 Arielle Chen: Basically what's going to start happening over the summer is people are going to get transition over and all the files will start getting transition over, and if you do not have a dropbox. 413 00:48:56.700 --> 00:49:07.410 Arielle Chen: Account created any em box of materials and you have the you do not personally own will not get shared with you again, so you have to go through the share across again so for everyone. 414 00:49:07.470 --> 00:49:10.590 Matthew J Countryman: Listening to them box to drop boxes similar to my first yes. 415 00:49:10.950 --> 00:49:19.920 Arielle Chen: Yes, because they're going to start that process so for everyone here, and all of your colleagues, please, please, please tell them to make a dropbox account even if they don't plan on using it often. 416 00:49:20.220 --> 00:49:26.400 Arielle Chen: Because of their shared on anything they don't have an account by the time those files are being transferred from inbox they won't get X. 417 00:49:28.020 --> 00:49:35.820 Wayne High: So the carrot becomes if you have created the account the data has moved for you, without you needing to do anything else. 418 00:49:36.330 --> 00:49:38.370 Matthew J Countryman: That was great what happens to me as they're excited. 419 00:49:39.600 --> 00:49:53.130 Tara Mondesi Weinberg: Are you would you recommend like if, for example, if you already have a large personal dropbox I already have a large personal dropbox which is on my desktop as well as in the cloud should I. 420 00:49:54.450 --> 00:50:02.250 Tara Mondesi Weinberg: Which is not on my you miss account should I create a separate you miss dropbox and keep those two separate do you think Oh, should I try and combine them. 421 00:50:02.970 --> 00:50:12.480 Arielle Chen: For personal files just because you may not always want your personal documents being related to your you have an account, I will keep them separate just. 422 00:50:12.510 --> 00:50:17.940 Arielle Chen: Okay i'm wary of everything, because it has to access that anything that under your home. 423 00:50:18.450 --> 00:50:18.870 Tara Mondesi Weinberg: I see. 424 00:50:19.200 --> 00:50:25.830 Arielle Chen: But still make the account, because if people are trying to share to you, you won't get you won't get it if you don't have an account right. 425 00:50:25.890 --> 00:50:27.240 Tara Mondesi Weinberg: Okay, that makes sense, thank you. 426 00:50:27.900 --> 00:50:29.730 Wayne High: I echo that recommendation. 427 00:50:31.200 --> 00:50:31.470 Stephen M Ward: So. 428 00:50:33.000 --> 00:50:41.700 Stephen M Ward: Sorry, what did your message I real is everyone should create it already create a dropbox account next week before the first correct. 429 00:50:41.760 --> 00:50:42.900 Arielle Chen: Yes, just to be safe. 430 00:50:44.310 --> 00:50:46.470 Matthew J Countryman: Now I will say that I merged my to. 431 00:50:46.620 --> 00:50:47.880 Matthew J Countryman: My dropbox with you have them. 432 00:50:49.650 --> 00:50:50.160 Matthew J Countryman: You know. 433 00:50:51.540 --> 00:50:56.610 Matthew J Countryman: On the theory that there's so much data, nobody anything i'm trying to hide that was the look forward anyway so that's fine but that's. 434 00:50:56.880 --> 00:51:04.320 Matthew J Countryman: Okay it's just it's just a different way of managing the problem it's not not not not a recommendation just tell you how I do it okay. 435 00:51:05.610 --> 00:51:15.150 Arielle Chen: What add the caveat that if a lot of your files are very large and that you're if you're paying for that storage then definitely transfer that over because you have them as covering. 436 00:51:15.420 --> 00:51:25.380 Arielle Chen: A lot more storage and so you don't personally have to pay for it, but if you do have documents that may be personal documents that you don't know necessarily wanting you to see thing keep them separate. 437 00:51:28.590 --> 00:51:32.550 Matthew J Countryman: Right so that's the carrot for merging them is it they'll pay for the extra storage. 438 00:51:43.530 --> 00:51:55.350 Matthew J Countryman: Alright, so for now I think that's enough for today um obviously there will, if anything, comes up in the next two weeks that you don't want to wait or can't wait to reach reach out whether it's. 439 00:51:56.760 --> 00:52:05.730 Matthew J Countryman: Technical stuff obviously to Helen Ariel and Wayne if it's content stuff you want to run by me as well i'm very happy to to look at that. 440 00:52:07.710 --> 00:52:10.110 Matthew J Countryman: No, I do I, one thing I hope will do. 441 00:52:12.300 --> 00:52:19.950 Matthew J Countryman: May you may try to make some decisions about what we what our capacities for doing more or less least the summer, because I want to keep that momentum going. 442 00:52:21.870 --> 00:52:25.740 Matthew J Countryman: I do think that we will probably go to this every other week model. 443 00:52:28.290 --> 00:52:34.110 Matthew J Countryman: will suddenly through the whole summer and maybe might well be do that in the fall arm. 444 00:52:35.910 --> 00:52:46.170 Matthew J Countryman: Unless you know, unless we have a compelling reason to do it weekly and then, if we do have a million ways to do it weekly it probably wasn't involved in the or Stephen weekly will probably be doing every other week given, given that will both be only. 445 00:52:48.270 --> 00:52:52.890 Matthew J Countryman: And I will you know I will continue to see if we can get other faculty to. 446 00:52:53.910 --> 00:52:54.330 Matthew J Countryman: To. 447 00:52:56.610 --> 00:53:04.350 Matthew J Countryman: join in the group, but that doesn't seem like an imperative to me it feels like we can do in Stephen and I can manage. 448 00:53:05.490 --> 00:53:10.860 Matthew J Countryman: Our roles, even though even lonely so that's that's sort of my thinking about how to manage to leave time. 449 00:53:12.300 --> 00:53:16.650 Elizabeth James: Well, I propose that the whole 50 committee go on sabbatical. 450 00:53:20.610 --> 00:53:22.770 Elizabeth James: And we can meet in the red rock Canyon. 451 00:53:26.940 --> 00:53:32.460 Matthew J Countryman: Yes, yes I recognize that you're referencing a little bit of privilege here beth and i'll take. 452 00:53:35.910 --> 00:53:37.560 Wayne High: what's the entertainment over there about. 453 00:53:38.760 --> 00:53:38.940 Elizabeth James: well. 454 00:53:39.270 --> 00:53:45.030 Elizabeth James: You eat minutes from the Las Vegas strip so you know you can be in the wilderness. 455 00:53:46.290 --> 00:53:46.710 Elizabeth James: Our. 456 00:53:47.940 --> 00:53:51.780 Elizabeth James: valley of fire, I mean we got everything for you out there in. 457 00:53:52.470 --> 00:53:54.150 Helen Garbarino: California it's not that far. 458 00:53:55.200 --> 00:53:55.440 Elizabeth James: out. 459 00:53:56.940 --> 00:53:58.230 Elizabeth James: 90 minute drive. 460 00:53:59.100 --> 00:53:59.940 Elizabeth James: i'm telling you. 461 00:54:01.410 --> 00:54:05.340 Elizabeth James: This is, this is my current daydream of years to come. 462 00:54:07.170 --> 00:54:07.740 Matthew J Countryman: Over there was a. 463 00:54:07.890 --> 00:54:25.080 Matthew J Countryman: there's a ED theorists guy who's proposed solution to the problem of higher ED access is to get these high prestige schools to create separate to clone themselves create separate campuses so maybe, what we need is it University of Michigan at Las Vegas campus. 464 00:54:26.820 --> 00:54:28.170 Helen Garbarino: didn't we already clone ourselves. 465 00:54:30.510 --> 00:54:36.540 Matthew J Countryman: You would have trouble politically with the deer point blank canvas is, if you decided to start winning in Las Vegas no question but. 466 00:54:38.580 --> 00:54:39.480 Elizabeth James: Well, I just was. 467 00:54:40.020 --> 00:54:43.740 Matthew J Countryman: Also justice standpoint I think reinvesting in flint dearborn would be the better answer but. 468 00:54:44.100 --> 00:54:45.300 Elizabeth James: It really would be. 469 00:54:47.160 --> 00:55:00.450 Elizabeth James: Though there, they are moving some of the MED Center out to grand rapids because I know that they're going to start doing transplants over there, then Ann arbor has in you know currently is the only. 470 00:55:01.320 --> 00:55:21.150 Elizabeth James: You will them site where transplants are done so they're they're on the move, so you never know, then I just attended the lead seminar on the strong connections that we have with so many programs between hbc us and you have them so. 471 00:55:22.590 --> 00:55:26.340 Elizabeth James: i'll go out there and found a little hbc you and. 472 00:55:26.970 --> 00:55:28.140 Elizabeth James: A little bit that's me. 473 00:55:29.700 --> 00:55:31.920 Matthew J Countryman: that's HP see you at Las Vegas. 474 00:55:34.620 --> 00:55:35.520 Helen Garbarino: All attendance. 475 00:55:37.590 --> 00:55:37.920 Stephen M Ward: Long. 476 00:55:40.560 --> 00:55:41.850 Helen Garbarino: As the acronyms or. 477 00:55:41.850 --> 00:55:44.130 Stephen M Ward: Four it's going to be a long after yo. 478 00:55:48.780 --> 00:55:49.410 Stephen M Ward: yo. 479 00:55:50.550 --> 00:55:51.450 Matthew J Countryman: Alright y'all. 480 00:55:53.400 --> 00:55:54.210 Matthew J Countryman: Go ahead Steve sorry. 481 00:55:54.360 --> 00:55:58.980 Stephen M Ward: As well as Matthew away, can I ask was down one minute, after a nicer quick question. 482 00:55:59.160 --> 00:55:59.730 Matthew J Countryman: Sure, please. 483 00:56:00.810 --> 00:56:01.650 Matthew J Countryman: So again, let me just. 484 00:56:01.770 --> 00:56:12.090 Matthew J Countryman: Say thanks everybody has been really and will you know we're gonna keep on keepin on so it doesn't it ended but, but just really appreciate all you've done this past year, we should all be patting ourselves on the back so. 485 00:56:13.020 --> 00:56:14.940 Helen Garbarino: thank all of you for your home. 486 00:56:16.920 --> 00:56:18.630 Elizabeth James: it's a team it's a team. 487 00:56:20.100 --> 00:56:20.790 Wayne High: dream to. 488 00:56:21.330 --> 00:56:21.870 Matthew J Countryman: dream team. 489 00:56:23.220 --> 00:56:25.320 Elizabeth James: So Wayne i'll be on my way to you.